Tera Mera Yeh Aisa Jorh Hai - Full Video Song HD - Jawani Phir Nahi Ani 40:42 Zara-e- Ke Mutabiq (Jo Mera Hai Woh Tera Hai Jo Mera Hai Woh Tera) - 5th March 2015.
Cast: sunil shetty, mahima chaudhary, paresh rawal, sanjay narvekar director: priyadarsan producer: ripples pictures entertainment music director: anand milind rating:. 1/2 synopsis dayashankar manorilal pandey (sunil shetty) finds himself amidst a lot of debt that he has been bequeathed on the death of his father. And in order to settle accounts he decides to sell his house, his only possession that's located in the city. But when he gets there, he encounters adamant tenants (one of who is saraswati played by mahima chaudhary) who having resided there for a good 20 years find the whole proposition ridiculous and unfair. They wouldn't budge and dayashankar wouldn't leave till he got what was due to him.
Analysis reading the synopsis, one wonders how come the most looked forward to artist, paresh rawal, hasn't been mentioned. 'tis true that he has been wasted in the film except for a wonderful dance sequence which by far remains the cream of the entire film experience. Sunil shetty seems to have had some sort of a voice modulation, unless we can blame the same on the speakers at metro (that's where we saw the film) that may not have been in the best of working conditions. Mahima chaudhary is unnecessarily a bit too loud like several sections of the film. There's this certain scene in the film where vessels are thrown, and people are shouting and all that you are left doing is hoping that you had access to some kinda rock that you could whirl at the screen telling all and sundry to just shut up for god's sake. One would have expected priyadarsan to do better, but he hasn't done too badly either.
Don't go about comparing it to 'hera pheri' for you would get disappointed. The film isn't even a patch on 'hera pheri' and doesn't come any place close. Probably worth a watch, the film might just entertain you however leaving your entertainment buds not fully satiated.
Ronjita Das
Paresh Rawal was on a mission.
He was determined to woo Mahima Chaudhry.
Armed with red rose in hand and song on his lips, he was ready.
Take.
Retake.
Take
Retake.
And so it went. You would think it was that simple, a song sequence.
It takes a trip to Hotel Royal Palms, Goregaon, Bombay, on the sets of Priyadarshan's Yeh Tera Ghar Yeh Mera Ghar to realise otherwise.
Actually, the majestic, plush hotel can take your breath away. It stands regally, flanked by a seemingly limitless golf course. And if you want privacy, it is just the place.
Now that could be both an advantage and a disadvantage. Its seclusion. Because if you don't own a car, venture not here. Unless you're on a drastic weight loss programme.
Rickshaws balk at heading towards the hotel. Since the hotel is situated on a hill, it makes for strenuous ascent. Walking? From the entrance of Aarey Milk Colony, the hotel is a minimum of six kilometres, two of which make for a very steep climb.
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Hotel Royal Palms, though, is a big hit with the film industry.
Which accounts for the Yeh Tera Ghar Yeh Mera Ghar unit on location. The film has Mahima Chaudhry and Sunil Shetty in the lead, and has music by Anand Milind.
Back to the shooting. Change of scene. The second shot, a continuation of the song sequence, required Paresh Rawal to resume singing to Mahima, while she giggled and acted coy.
Only, the two are now being followed by Sunil Shetty, hiding his face behind a newspaper and following the duo.
'Yeh Tera Ghar Yeh Mera Ghar deals with the Rent Act problem in Bombay,' says Sunil Shetty. It's about a simpleton called Dayashankar Manorilal Pandey, who falls into a lot of debts in the village because of his sister's wedding.
'To save his property and self-respect in the village, he decides to sell the house his father had rented out 20 years ago, in which Mahima stays now. The film is about how he tries to get her out of the house. In the process of which he falls in love with her.
'It has a beautifully-written script. It's hilarious, yet it's very touching. Many people will identify with it, because those problems are common. Ninety per cent of the problems that people face revolve around home and rent.'
He adds, 'I call this film a comedy with a big heart and soul -- it is so touching.'
Paresh Rawal says, 'I play an inspector in the film. The reason why I'm being repeated in Priyadarshan's films is because we share a good rapport with each other.
'Besides, I do my job well. I chose a role with three things in mind -- the role, the director and the money,' he states.
'I enjoy working with Sunil Shetty because he is a very disciplined actor. He doesn't interfere with anyone else. We share a good working relationship.
'I like working on any type of role -- villain or comedian -- as long as it is well written. Because if it is not written well, I find it very difficult to enact that role. Some films have me saying and doing stupid things. That's because the role is not written well.
'But I'm not very comfortable with dancing. I'm not that great at it, but nikal jaata hai kaam.
When asked about the recent Best Comedian Award he won for Hera Pheri, he said, 'I felt very happy to receive the award. But I would be lying if I said I didn't expect it. In fact, in the very first schedule, all of us knew that this character would click.'
A pretty Mahima in a maroon sari and her hair in a plait, says, 'When I worked with Sunil (Shetty) in Dhadkan, I didn't really know him that well -- we shot together for just a week. But now, that has changed.'
Sunil, for his part, says, 'If you see Mahima in this film, she's very different from her others. All of us are, including Paresh. The credit goes to the director, Priyan. He has executed things so beautifully that we've ended up looking like good actors, which is a compliment for the director.
'This is my third film with Priyan. We've done Hera Pheri and are now working together in Kashmakash, which is still under production.
'He leaves you feeling that you don't want him to work with anyone else. I feel very jealous when he does a film with someone else. Of course, I wish the best for him -- he is a very close friend of mine. But I want to be in every film of his, because every one of them is so meaningful, different and time-bound. Also, his films have a lot of visual beauty.'
Yeh Tera Ghar Yeh Mera Ghar is due for release on May 31.
Photographs: Pradeep Bandekar